阅读理解
Silvano Lattanzi, the
master of made — in — Italy shoemaking, was totally conquered by a painting
hung in the entrance hall of the very modem Rich Gate, the luxury district in
Shanghai.
The painting, before which
he knelt down to show his admiration, is the Rich Gale Rose painted by Liu
Linghua. who's known as the "Chinese Van Gogh".
It was in May 2016 that
Lattanzi first met Liu Linghua who was working on his 15-square-meter great
piece. Lattanzi, from the country where Renaissance began, saw the painting
accidentally and was immediately impressed by its beauty. He told others that
he never imagined that western oil-painting techniques could be developed so
well by a Chinese and that this was the best painting he had ever seen.
In the eyes of westerners,
Lattanzi is a great master of shoemaking, fashion and arts. His admiration for
the Rich Gate Rose well shows the high level of Liu's painting. Ever
since this, the two art masters of different nationalities, different ages and
different cultural backgrounds have forged a profound friendship.
When Lattanzi came back to
China six months later with the pair of shoes he made for Liu, he insisted on
delivering the shoes to Liu himself. The two friends met again al the Rich Gale
and Liu Linghua presented an embroidery (刺绣）of his master work The Drunken Beauty in return.
Liu expressed repeatedly
that his works should be explained by painting and not the words of compliments.
He does not care about the titles, though he is on par with the greatest
painters. A leading light or a grand master of art, Liu pays little attention
to it. Liu thinks actions are more important than words.
Silvano Lattanzi, the
master of made — in — Italy shoemaking, was totally conquered by a painting
hung in the entrance hall of the very modem Rich Gate, the luxury district in
Shanghai.
The painting, before which
he knelt down to show his admiration, is the Rich Gale Rose painted by Liu
Linghua. who's known as the "Chinese Van Gogh".
It was in May 2016 that
Lattanzi first met Liu Linghua who was working on his 15-square-meter great
piece. Lattanzi, from the country where Renaissance began, saw the painting
accidentally and was immediately impressed by its beauty. He told others that
he never imagined that western oil-painting techniques could be developed so
well by a Chinese and that this was the best painting he had ever seen.
In the eyes of westerners,
Lattanzi is a great master of shoemaking, fashion and arts. His admiration for
the Rich Gate Rose well shows the high level of Liu's painting. Ever
since this, the two art masters of different nationalities, different ages and
different cultural backgrounds have forged a profound friendship.
When Lattanzi came back to
China six months later with the pair of shoes he made for Liu, he insisted on
delivering the shoes to Liu himself. The two friends met again al the Rich Gale
and Liu Linghua presented an embroidery (刺绣）of his master work The Drunken Beauty in return.
Liu expressed repeatedly
that his works should be explained by painting and not the words of compliments.
He does not care about the titles, though he is on par with the greatest
painters. A leading light or a grand master of art, Liu pays little attention
to it. Liu thinks actions are more important than words.
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